Wild animals were his companions, and angels took care of him. (Mark l:12 – 13, The Message)
The purpose of Lent has always been to startle us awake to the true state of our hearts and the world, which wakes an aching that something new might be made of the ruin. (Gayle Boss, Wild Hope)
When I reflect on Lent an image appears in my heart and I remember our dear Brother who went into the Galilean hills where he spent forty days with wild beasts and angels and a wildflower beside his sandal in kinship with the petals unfolding in his heart breaking open in lament and wonder of the gift of creation embodied.
And did he awaken and rest in that wilderness place? Each day coming and going, each one closing in repose beneath Sister Moon’s orb glowing in changing hues of light visible and fading invisible behind clouds and dark shadow as he trusted moment by moment being chosen and choosing to live the test of courage – body and soul essential to keeping the covenant alive day after day. And did he from time to time remember as in dreaming the child he once was in love with the wind coming from where nobody knows and passing through all things translucent sisters and brothers in the stream of breath honoring the wild olive tree where he rested in the shelter of her limbs leaves and roots each breath-filled form honoring the other.
Sleight-of-hand, art forms are written in ink flowing in a reverie of holding the gladness of embodiment in communion with the sorrow of transience – all things changing, vanishing in time’s passing the question remaining: shall all that appears and disappears vanish as if it never were alive in the heart of the matter of love that does not come and go but prevails poured out la voi sacree, no-matter-what- wild hope winged leaven hidden within the beauty of the body of creation rising.
Shared by Vera and Margie Dimoplon
The poem text refers to William Blake’s poem “And did those feet in ancient time” engraved and printed in 1808 and known today as the hymn “Jerusalem” – music composed by Sir Hubert Parry in 1916.
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